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PRAISE FOR MAXIMUM CITY
Shortlisted
for the BBC4 Samuel Johnson Book Prize for Non-Fiction. Chosen as one of the best books of 2004 by Library
Journal:
"In Mehta's able hands, Bombay is transformed from a mere
flap of earth on India's western coast to a living, breathing character,
a shimmering prism refracting the light and lives of its inhabitants.
With a journalist's precision and a novelist's descriptive flair, Mehta
details the city's gangsters, policemen, go-go dancers, and Bollywood
stars. Part travelog, part cultural history, this vibrant portrait
is greater than the sum of its parts."
Library Journal Chosen
by the San Jose Mercury News as one of the year's best non-fiction
books. Chosen
by the Seattle Times as one of the year's best non-fiction books. Chosen by The Advertiser, Australia, as one
of the books of the year. Chosen as one of the 10 best books of 2004 by India
Today. "Maximum City is one of the best books
ever written about any city in the world." The
New Straits Times "Dazzling and absorbing... Mehta's eye on Bombay
reminds me of no one's so much as Balzac's on Paris... He makes virtually
any other reporting on India look pallid by comparison, the work of
outsiders looking in... Maximum City--gritty and unsentimental,
but by its breathtaking boldness and scope a paean to this impossible
city--is Mehta's garland for Bombay."Adam
Hochschild, Harper's Magazine
"Maximum City is, in all senses, a revelation...
The stories are gripping...amid the squalor, there is wild, wild fun...Mehta's
tales, pounding along in the present tense, read like a modern Arabian
Nights, only crueller, more poignant, more real... Part memoir, part
journalism, part travelogue, Maximum City is a tour de force.
Bombay is truly here lost ‹ and found."" The
Times
" This is compulsively readable stuff,
the best non-fiction book on India in a couple of decades. V.S. Naipaul
covers some of the same terrain, but Mehta's reportage is much richer."
The Financial
Times
"Bombay/Mumbai, which is the subject of Suketu
Mehta's sprawling, obsessive, splendidly written memoir of a tough-minded,
two-year sentimental journey back to the city where he was raised...[Maximum
City] may well prove to be the book on India for a generation or so."
America
Magazine
"Mr Mehta paints a picture of an India that is
so vast, complex and confusing as to defy generalisation, and facing
such a terrifying array of problems that it forbids optimism."
The Economist
"Maximum City is narrative reporting
at its finest, probably the best work of nonfiction to come out of India
in recent years ... The depth of Mehta's evocative and beautiful prose
keeps things lively. Indeed, Mehta's most impressive skill lies not in
his documentary prowess but in the psychological acuity of his writing:
we come away from his encounters feeling we know the inner lives of the
people he has depicted. In this sense, Maximum City is more than
a consideration of the material limits on urban living; it is a profound
meditation on the existential (and even spiritual) longings that persist
despite those limits."
Akash Kapur, The New York
Times Book Review
"Suketu Mehta's Maximum City is quite
extraordinaryhe writes about Bombay with an unsparing ferocity
born of his love, which I share, for the old pre-Mumbai city which has
now been almost destroyed by corruption, gangsterism and neo-fascist politics,
its spirit surviving in tiny moments and images which he seizes upon as
proof of the survival of hope; and the quality of his investigative reportage,
the skill with which he persuades hoodlums and murderers to open up to
him, is quite amazing. It's the best book yet written about that great,
ruined metropolis, my city as well as his, and it deserves to be very
widely read." Salman Rushdie
"The most riveting and impressive book
I've read in months, but also one of the most potentially enduring."
Pico Iyer
"Like a mind-blowing, real-life trip through
the streets of Bombay, many thousands of images of beggars, slums, palaces,
film stars, murderers, cops and lovers rush forward from the pages of
this book, as if competing for a high rupee-yielding prize." Sydney
Morning Herald
"...Maximum City by Suketu Mehta is 542
fleeting pages about a jam-packed but tiny piece of the India puzzle.
It is about the maddeningly interesting metropolis of Bombay (or Mumbai,
as Hindu political purists insist). It's as pulsating as some Bollywood
music video, but it's far more entertaining and informative. And even
with his quickly moving and changing story line, Mehta keeps tossing in
factoids that make you pause to consider." The
Houston Chronicle
"...this book is a stunning piece of reporting
from a place that is modernity's worst nightmare...It is both a superb
piece of social anthropology and a chilling exploration of a world
where the social contract is rudimentary and the competition at every
level is of an intensity unimaginable in the developed world" The
Age
"A beautifully written homage to the city of
his boyhood by an award-winning US-based writer who deftly divides Bombay's
stories into themes of power, pleasure and passages. When he moved to
New York, Mehta writes that he "missed Bombay like an organ of my body."
On return visits, he finds "the terrain is littered with memory mines"."
The Australian
"Sprawling, epic, vibrant--and more than a little
scary--Maximum City does justice to its monumental subject, the
city of Bombay. After 21 years abroad, author Suketu Mehta revisited the
city where he lived as a child and spent two years exploring the heights
and depths of the crowded and complex metropolis. He interviewed politicians
and poets, movie stars and transvestite bar dancers, crusading activists
and small-time thugs, and as they tell their fascinating stories, each
voice rises clearly above the urban din. Though this book is over 500
pages long, there's not a boring moment as Mehta's sparkling prose
and prodigious descriptive powers make the distant city seem as vital
to us as the neighborhood in which we live." Four Stars
Francine Prose, People Magazine
"In Maximum City, Suketu Mehta has given
us a brilliant book. He writes fearlessly about the horror and
wonder that is Bombay. One by one, he reveals its multiple personalities:
maleficent Bombay, bountiful Bombay, beckoning temptress of hope, manufacturer
of despair‹city of dreams and nightmare city. Best of all, reading this
book helps one understand why Bombay can be an addiction."
Rohinton Mistry
"Maximum City is a seething, rumbling,
deeply compassionate break-dance of a book." The
Hindu "Maximum City: Bombay Lost and Found is
much more than a travel book, it is an autopsy of a city that is morally
dead. And the Calcutta-born, Bombay-raised Mehta conducts a brilliant
examination by exhuming the underworld dons, street thugs, policemen,
politicians, judges, movie stars and bar girls of this city, which, by
the year 2020, will be the world's most populous, with 28.5 million inhabitants.
Mehta has written a stunning hybrid of memoir, travelogue and social inquiry;
above all, he has captured the psyche of the city."
The Globe and Mail
"The passions and secrets of the throbbing megalopolis
come alive as Suketu Mehta steps into its back alleys and dance bars, its
fantasy factories and drawing rooms. The biography of a city that never
sleeps... Bombay gets its Boswell, his chronicle as sprawling and enchanting
as his subject." India
Today
"Mehta writes with a Victorian novelist's genius
for character, detail, and incident, but his voice is utterly modern.
Like its subject, this is a sprawling banquet of a book, one of the
most intimate and moving portraits of a place I have read.""
Jhumpa Lahiri
"Mehta is an urban ethnographer
with an acute sensitivity to the peculiarities of his city...fidelity
to his interlocutors, and to their detail and circumstance, as much as
the intelligence and brightness of Mehta's own prose, makes Maximum
City an extraordinary debut--a debut that will rival Arundhati
Roy's in fiction." The
Nation "The book's focus on the city's
dark side, where money, sex, showbusiness and crime meet, mingle and part,
has a purpose. There is a core of humanity in the people Mehta meets,
which is why the city has not descended into nightmarish anarchy, and
how it continues to accommodate newcomers unhesitatingly."
The Independent "Along with V.S. Naipaul's India: A Million Mutinies
Now, Maximum City is probably the greatest non-fiction book written
about India." Akhil Sharma "The brilliant first book by journalist and fiction
writer Suketu Mehta captures (Bombay's) layered quality... Mehta is the
best kind of investigative reporter." Nell
Freudenberger, Vogue "Suketu Mehta, a screenwriter
and journalist who now lives in New York but also has lived in Bombay,
has written a fascinating book about a distant city that throughout
its history has managed to blend very different people and cultures."
The Oakland
Daily Press "Maximum City is at once paean and lament to
the megalopolis that Mehta was wrenched from in his formative years, when
his family moved West. In this remarkable collection of stories,
he observes with the unsullied eye of an inconnu and the familiarity of
a homeboy, coupling Pico Iyer-style travelogue with the narrative nuance
of fellow dislocated Bombayites Salman Rushdie and Rohinton Mistry."
The
Village Voice
"Maximum City is the remarkable debut
of a major new Indian writer. Humane and moving, sympathetic but outspoken,
it's a shocking and sometimes heartbreaking book, teeming with extraordinary
stories. It is unquestionably one of the most memorable non-fiction books
to come out of India for many years, and there is little question that
it will become the classic study of Bombay." William
Dalrymple "Like one of Bombay's teeming chawls, Maximum City
is part nightmare and part millennial hallucination, filled with detail,
drama and a richly varied cast of characters. In his quest to plumb both
the grimy depths and radiant heights of the continent that is Bombay,
Suketu Mehta has taken travel writing to an entirely new level. This is
a gripping, compellingly readable account of a love affair with
a city: I couldn't put it down." Amitav
Ghosh "[Mehta's] sophisticated voice conveys postmodern
Bombay with a carefully calibrated balance of wit and outrage, harking
back to such great Victorian urban chroniclers as Dickens and Mayhew."
Publisher's Weekly Starred
Review "Suketu Mehta has done the impossible: he has captured
the city of Bombay on the page, and done it in technicolor. Like Zola's
Paris and the London of Dickens, it will be difficult for me to visit
Bombay without thinking of Maximum City and the enormous delight
I had when I inhabited its pages." Abraham
Verghese "Brave, honest, and addictive: Maximum City
is narrative non-fiction at its best. Mehta de-exoticizes as he mesmerizes,
finding humanity in killers, actresses, and civil servants, and leading
us inexorably to the sight of our our own reflections in in the fractured
mirror of his great city, Bombay." Mohsin
Hamid "The mother of all Mumbai books... part personal
memoir, part travelogue, part urban history lesson, part nightmare, almost
all stunningly written." Sreenivasan
Jain, Time Out Mumbai "Hobnobbing with professional killers, cops on the
edge, bar girls, street poets and Bollywood directors, Mehta paints an
intimate portrait of what many consider the city of the future."
The Sacramento Bee "He gives us a city that "is
a mass dream of the peoples of India," and although the dream includes
a few nightmares, he makes you never want to wake up."
Shashi Tharoor, LA
Times
"What Dickens did for London,
what Joseph Mitchell did for New York City, Suketu Mehta has done for
Mumbai, (the Indian word for Bombay)...[a] candid, extensive and wholly
entertaining portrait.." San
Diego Union-Tribune
"Suketu Mehta, a journalist and
fiction writer from Bombay, "the biggest city on the planet" with 14 million
people, left the city in 1977. In preparation for this book, subtitled
"Bombay Lost and Found," Mehta went back to see how things had changed.
He examines the city in unusual ways -- looking at the criminal underworld
of rival Muslim and Hindu gangs; a bar dancer who chose the only life
available to her after a childhood of poverty; delving into the stories
of people who leave the villages for life in the city. He tells numerous
stories of the diverse people who live in severe congestion. Mehta writes
very well. He personalizes the city by infusing his own story into the
narrative -- this could very well become the classic story of Bombay,
which the author sees as the megalopolis of the future."
Deseret Morning News
"Maximum City is journalism
at its best. It is journalism of a kind never seen in India before.
For us hacks it ought to become a beacon, a model, a guide book.
There are treasure troves of fascinating stories all around us in this
country, and Mehta has shown how, with effort and patience, they can be
unearthed and presented." The
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